Basic information
| Field | Detail |
|---|---|
| Name (as given) | John Schwallier |
| Public identification | Primarily known as the father of actress Daveigh Chase |
| Public profile | Very limited; appears mainly in family background notes |
| Daughter | Daveigh Elizabeth Chase (born July 24, 1990) |
| Partner (recorded) | Cathy Chase (mother of Daveigh) — relationship ended in divorce (date not publicly specified) |
| Sibling (related in public records) | Cade (younger sibling of Daveigh; born ~2006 in some mentions) |
| Career / profession (public) | Not documented in mainstream public records |
| Financial disclosures | None publicly available |
| Public mentions (context) | Mostly embedded in biographies and retrospectives about Daveigh Chase |
Family members and immediate relationships
The public trail for John Schwallier is threaded through the life of his daughter, Daveigh Chase, rather than through his own independent public footprint. The family map as it appears in public documents and common biographical summaries is compact:
- Daveigh Elizabeth Chase — born 24 July 1990. Public biographies list her full birth name in a form that includes the surname Schwallier, and they identify John as her father. Daveigh’s early life and upbringing are commonly summarized as being shaped by her mother after her parents’ separation.
- Cathy Chase — recorded as Daveigh’s mother and, in public accounts, the primary caregiver following the divorce with John. Timelines indicate Daveigh was raised in Albany, Oregon, with Cathy.
- Cade — referenced in fan and press materials as a younger sibling, often placed in the mid-2000s generation (one common marker is a 2006 birthyear cited in some informal write-ups). Public materials tie this person to Daveigh; direct, independent confirmation connecting Cade to John is sparse.
This is not a sprawling family tree; it is instead a short cluster of names that appear consistently in connection with a public figure (the daughter), while the paterfamilias — John — remains a quiet presence on the page.
Public profile, career notes, and limits of available data
Where many public figures have press kits, interviews, and LinkedIn footprints, John’s name exists almost exclusively as relational metadata: “father of.” There is no robust, verifiable public dossier that describes his occupation, career trajectory, assets, or public statements. In short, the public record provides:
- No dedicated professional biography.
- No confirmed occupation or employer.
- No public financial disclosures or property records reliably tied to him in the accessible mainstream record.
Put another way: the public record about John behaves like a photograph cropped to show only his shadow beside a more prominent figure. The silhouette tells you relationship, not biography.
Timeline of events tied to the family (dates and milestones)
| Year / Date | Event |
|---|---|
| 1990-07-24 | Birth of Daveigh Elizabeth Chase (full recorded name linked to Schwallier). |
| 1990s (early) | Reported parental divorce; Daveigh raised primarily by her mother in Albany, Oregon. Exact divorce date not publicly specified. |
| 1998–2006 | Daveigh’s early acting career; first TV roles and later prominent film/voice credits. Family background notes during press runs list parents’ names, including John. |
| 2001 | Daveigh appears in the film Donnie Darko (noted as an early, career-defining role). |
| 2002 | Daveigh provides voice work in major projects that raised her profile (notably voice roles in major animated film and a leading role in a theatrical release that became high-profile). |
| 2000s–2020s | Periodic retrospectives and new profiles of Daveigh reference her early life and parentage; John’s name continues to appear as part of those family details. |
Numbers to note: Daveigh’s birth year (1990) anchors the family timeline; a compact string of professional milestones for Daveigh falls within a roughly 8–12 year span starting in the late 1990s, during which most family mentions were recorded.
Media mentions and the public echo
When a public figure is the loudspeaker, relatives often exist in the audio of interviews rather than in solo pieces of their own. John’s public visibility follows that pattern:
- He is named in biographical notes that accompany press about his daughter.
- He is not the subject of standalone articles, interviews, or documented public appearances in mainstream reportage.
- Videos and retrospectives about Daveigh surface periodically and these sometimes include family background lines that reference him, but they do not center on him.
Imagine looking at a concert poster where one performer’s name dominates and the rest of the band is listed in small print; John’s listing is that footnote — essential to the composition but not the headliner.
Name collisions and verification challenges
A practical issue in assembling a portrait from public fragments is the commonness of surname variants and historical duplicates. Public records, genealogical databases, and obituary indexes show multiple individuals with similar or identical surnames (Schwallier, Schwaller, Schwallier), spanning different eras and regions. Important points:
- Several similarly named entries exist in genealogical or historical records, including older immigrant records and unrelated obituaries.
- None of those entries can be reliably and confidently linked to the John who is identified as Daveigh’s father without additional identifying details (dates of birth, middle names, locations, or corroborating contemporary documents).
- Therefore, the public profile presented here excludes speculative merges and treats name-collision items as separate unless concrete linkage can be shown.
A closer look: measurable items and what remains unknown
Measured items:
- Daughter’s birthdate: 1990-07-24.
- Notable daughter career dates clustered in 2001–2002 for breakthrough roles.
- A younger sibling noted in some accounts with a ~2006 birthlink.
Unknowns that visibly shape the narrative:
- John’s date of birth, place of birth, and current residence.
- Confirmed occupational history and financial profile.
- Public statements, interviews, or independently sourced biographical records.
There is a certain irony in the data: the quieter a person remains, the more precise details around them recede. The public story forms a negative space — you see the outline of a life because it is cast by a brighter figure nearby. John Schwallier’s public presence is precisely that kind of outline: defined by relation, not by independent, documented milestones.
Table: Snapshot of public mentions and context
| Type of mention | Frequency (publicly observed) | Typical context |
|---|---|---|
| Biographical parent listing | Multiple | Included in daughter’s bios and profiles |
| Standalone news/profile | 0 | No standalone contemporary profiles discovered |
| Video interviews | Several (daughter-focused) | Family background referenced in passing |
| Genealogical/name-collision entries | Several (unrelated) | Historical records with ambiguous linkage |
The record is compact and, in its compactness, instructive: some public lives are signposts more than full maps. John Schwallier appears consistently as a signpost — a parental name that anchors another person’s origin story — while the map of his own life remains largely blank in the public realm.